An Example Of Post Islamic Rumi Composition 16 Th Century Iznik Tile Gulbenkian Q320

 

Around eight years ago, I had a dream about my teacher and then spiritual friend, Kyogen Carlson.  In our relationship as  disciple and teacher, we were very close.  I lived and practiced in the Dharma House on Madison Street, then close by the new property on Siskiyou in Portland.  I was a resident at Dharma Rain for close to eight years.  One night I dreamt, I was to accompany him on a walk.  He came to me in a dream asking for a time to meet.  Later that evening we slowly walked a winding, gently ascending a wilderness path together toward the north.  At some point I left, and he continued that  journey  alone.  Not long after my teacher and spiritual friend died.  I find it interesting that he asked me to accompany him and at the time of the dream no one, not even Kyogen  knew that  he was ill.

Of the dream-like imaginal character of the archetype, the coming to life of Jizo Bodhisattva, a friend to women, children, and travelers. There is  a ritual celebration of Jizo Bodhisattva, in the forest garden at Great Vow for  mothers of children who have died. Of the Greek God Dionysus, sensual, wild, emotive, ——-   of  the night, and the animal— also a friend to the feminine.  He is not a literal presence, yet we are all guests in his household, all beings of thresholds, of the fragile and tenuous edge of new thresholds. He is a friend of the orient, pointing us due north, toward the  realm of light.  Prajnaparamita is a being of thresholds, she is the one who blesses the borderlands helping all beings to cross over—–  gate, gate, paragate, parasamgate bodhi svaha.